By Joe Jackson
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Extra info for A Cure for Gravity: A Musical Pilgrimage
Peoplejust h e w They seemed to know everytEng. W o the tough kids were (they were caBed "ard-nuts or bohes-short For hooligans). were "queer," and whch ones-would beat the living crap out of you just for tying your shoelaces wrong. They knew all kinds of local folk wisdom: b r instance, that the nearby Isle of Wi&t was more correctly called "The Pile of Shite'hnd that all its inhabitants were inbred, In a local joke, an Island boy gets married, but after a week it's all over, and he's back with his parents.
And no one could, or ever vvill. W e n music hits you like this, it cuts through logic and soars like a pole-vaulter over the walls of your rational mind. It reaches you in a visceral way that is unique to your own experience, No M ~ Opeople hear the same music. Now that 12rnolder, and hardened, and a clever bastard, E still find Exodus a good Nne, if a bit senfimental. I have to remind myself that there are worse things than sentimentality. The Russians, for instance, revel in it -they believe it's at least halfway to real emotion, and therefore better than nothing.
1 shot my h;md up- thank God the score had been found! But there weren't too many lcids takhg Beethoven scores out of the library, and once again, Reggie wa:; delighted. My classmates weren't so sure, but among the blank stares and :sneers, I thought I detected a hint, here and there, of a different attitude. It wasn't respect, not quite; an instinctive deference, perhaps, that at least socle kids felt toward someone who seemed to be gifted at somet h g they could barely understand. One Samrdq I was walking d a m Lake Road, wkch at that time was lined with junk shops, and I spotted a pile of records.
A Cure for Gravity: A Musical Pilgrimage by Joe Jackson